Sagarra presents work in dialogue with marginal society and its various aspects. The paintings introduce us to existing Brazilian subcultures living a reality far from the vast majority, bringing unknown elements together in gloomy atmospheres. Since his adolescence, the artist has followed and participated in underground movements that are devalued by society. His research begins in environments that in some way have a relation to this notion of abandonment. The work develops from records made in these places, through photographs, conversations with local people or memories. The records then take shape in his paintings, creating analogies that mix Brazilian popular culture, concepts related to vandalism and the questioning of contemporary social issues.
For Sagarra, painting is his main form of expression, often using vibrant and strong colors, tropical characteristics, striking lines and intuitive movements. His voice is original and unique, exposing images and symbols which are re-signified to open up multiple meanings. Within this iconography, the influence of cultural movements such as popular celebrations, carnival, transiting through to brazilian hooligan groups, is clearly perceptible.
The artist's work has been acquired by the Museu de Arte do Rio, Rio de Janeiro, Brazil. Solo exhibitions include the Museu de Arte Contemporanea de MS, Brazil, and the Museu de Arte de Blumenau, Brazil.